Hammaslahti: Oktober 2014

Jumat, 24 Oktober 2014

[T191.Ebook] Free Ebook Project Management for Dummies [Second 2nd Edition], by Stanley E. Portny

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Published on: 2007
Binding: Paperback

Most helpful customer reviews

4 of 4 people found the following review helpful.
Project Management For Dummies is for smart people who work in groups to accomplish common goals.
By Bobby Mitchell
I took many Project Management classes in the course of earning my baccalaureate degree. I have been working in the high tech IT field for over 20 years and 15 years ago, I could handle most of a company's IT needs by myself. This simply isn't true anymore. There are too many variables in play and subject matter experts like Security Specialists, Web Developers, and Network Infrastructure experts like me all have to work together in cross-functional teams to continue to provide for the needs of the businesses we support. IT is now direct customer assistance or project work. This has proven to be true time and time again. In search of increasing my value, I am pursuing PMP Certification through PMI.org. Reading through the PMBOK (Project Management Body of Knowledge) can get confusing at times. The "For Dummies" books are for smart people who really want to understand the material. Project Management for Dummies provides the examples and insights that help me commit the concepts to my memory.

1 of 1 people found the following review helpful.
I'm going to use this book for one of my ...
By drgreg48
I'm going to use this book for one of my required text books for the software project management course I teach.

0 of 1 people found the following review helpful.
Four Stars
By Dennis McCoy
Easy shopping, rapid delivery, better than expected

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Jumat, 17 Oktober 2014

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Sales Rank: #14285 in Books
Published on: 2008
Binding: Paperback
201 pages

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58 of 59 people found the following review helpful.
Nothing better than this
By A Customer
Chuck C. was one of the early leaders of AA in Southern California. He was one of the few people who came to AA fully surrendered to the will of God and then never took it back. Some of the things you will learn in this book will seriously change your life - most especially in your relations in the business world. There are spiritual truths here that transcend any of the more common and bland twelve step guides available. What is amazing is that it was not really planned as a book at all - it's a transcription of a series of talks Chuck made at a men's retreat. For that reason, it isn't highly polished or edited. Sincerely recommended for all who want to take their spiritual growth to the next level.

30 of 31 people found the following review helpful.
as spiritually compelling as any experience written.
By A Customer
a compelling report and guide of a step-oriented spiritual life, by a man with world-wide influence during his lifetime upon those living a spiritual, and life-saving, existance. Far more potent than some supportive literature in various 12-step and other therapeutic supportive fields. Tens of thousands have achieved sobriety and some serenity as a result of this man's personal, direct, and indirect (the book) efforts. IT IS NOW BEING PUBLISHED AGAIN ON THE WEST COAST.

0 of 0 people found the following review helpful.
Great book that's been around awhile
By Amazon Customer
Great book that's been around awhile. Very easy to read, full of good humor and lots of good thoughts. Recommend highly for everyone struggling with alcohol addiction, and possibly other addictions as well.

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Selasa, 14 Oktober 2014

[S904.Ebook] Ebook On CreativityFrom Viking

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The concept of genius has been a subject of much speculation and debate since the eighteenth century. However, in a world obsessed with creative genius and the possibilities of the human imagination, the actual workings of the creative process and its psychological underpinnings remain a mystery. In On Creativity, a group of
experts seeks to unlock this enigma.

Sales Rank: #3175100 in eBooks
Published on: 2015-02-06
Released on: 2015-02-06
Format: Kindle eBook

About the Author
Sudhir Kakar is an Indian lay psychoanalyst and he is known for his books in the fields of cultural psychology and religion.

Gunter Blamberger is a German academic and writer. He works at the University of Cologne as a Professor of Modern German Literature

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0 of 0 people found the following review helpful.
On Genius and the Workings of the Creative Process
By Raghu Nathan
Nowadays, there is much discussion in the public domain on the concept of genius, on Creativity and on Innovation. We see people like Steve Jobs, Elon Musk, Jeff Bezos and many others being labelled as 'creative' or 'genius-like' or 'innovative'. At the same time, we do not see much elaboration on the precise reasons for marking these individuals out for such special mention except by reiterating the products and ideas for which they are responsible and how much their thinking diverges from the mainstream. What we don't find is a substantive discussion on what this 'Creative Process' really is and how it actually works and what its psychological foundations are. It is this quest which brought me to read this book.

I have always enjoyed reading Sudhir Kakar's insights into cultural psychology, mysticism and psychoanalysis. When I saw that he was one of the authors of this book, I wanted to see what his insight into the subject is. However, it turned out that this book is a collection of six essays on Creativity from six different authors, with Kakar contributing just one, on the Indian perspective of the creative artist. Three articles dwell on the cross-cultural views on Creativity, one each on the Indian, Western and the Chinese. Two others are in the inter-disciplinary perspective from Psychoanalysis and Neuroscience. The final article by James Kaufman looks at Creativity through a generalist approach. Overall, we come across many definitions on what is creative and some approaches to understanding the creative process itself.

The Western perspective is dealt with by co-author G�nter Blamberger who suggests that the West has always set wrong priorities by focusing on the personal origin of Creativity , leading to hopeless aporias and myths. The West has a tradition of seeing Creativity as a triad of divine inspiration, mastery of the rules of the domain and scholarly knowledge. Blamberger proposes that we must bid farewell to this concept of 'Genius' and move away from singular creatorship and towards viewing Creativity as an Experience and as a Process. Today's creative practices are mostly processes based on division of labor within collectives and Creativity itself must be viewed as an inter-disciplinary and cross-cultural question.

Sudhir Kakar presents the Indian perspective on artistic creativity based on the classical treatise on the Performing Arts, namely 'Natya Shastra', written around 200 BCE, and on the modern works of renowned art historian, Ananda Coomaraswamy (1877-1947). In the Indian view of the creative artist, he is not a flawed being or prone to melancholia or madness. Rather, to be truly creative, it was necessary for individual personality traits and complexes to be transcended. Coomaraswamy formulates it as '..the Indian artist, though a person, is not a personality'. Creative Imagination is an inborn faculty due to impressions of past births that is so strong in the artist that it responds to the slightest stimuli which are usually ignored by others. Kakar wonders as to how many contemporary Indian artists share this view of the artist as emotionally balanced and artistic creativity as a matter of connecting with the transcendent, spiritual unconscious.

The Chinese perspective of Creativity is outlined by Weihua Niu simply as the very nature of everlasting interaction between the creator and the context, as something evolutionary rather than revolutionary. The focus of Creativity in the Confucian outlook is on novelty and appropriateness, where appropriateness is understood as fitting according to the changing context in a collaborative manner, given a specific situation. On the other hand, the Taoist view of Creativity is to make a connection between oneself and nature, possibly by immersing oneself through meditation.

In the inter-disciplinary discussion, I liked the essay by Margaret Boden on 'Creativity as Neuroscientific Mystery'. Boden says that there are three types of creativity, namely Combinational, Exploratory and Transformational. They are explained as follows:
Combinational Creativity is the generation of unfamiliar combinations of familiar ideas. A scientific example would be viewing the Atom through the Solar system model.
Exploratory Creativity is to use existing rules to generate novel structures. Examples would be to write a new Computer program using a known programming language or writing a new essay in English or creating a new painting in a known style such as Impressionist.
Transformational Creativity is the most exciting of all in that it breaks culturally sanctioned rules within a domain and leads to the creation of a novel idea which seems 'Impossible'. One can think of many examples in Science and in the Arts like Literature and Music.
Boden says that these three forms of Creativity involve different types of psychological processes and that Combinational Creativity is within reach of Neuroscience today. As for Exploratory and Transformational, she says that the human brain is a Connectionist system and we need to understand much better than we do today as to how 'connectionism' can emulate a von Neumann machine before coming to a Neuroscientific view of these two types of Creativity.
Most of us can probably feel good about having experienced some aspect of Exploratory Creativity in our lives and some might have indulged in Combinational as well.

As I came to the last essay in the book, the creative process still remained largely an enigma. Still, the essays provoke our mind and induces us to explore further.

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Kamis, 09 Oktober 2014

[J558.Ebook] Get Free Ebook Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process, by Sarah Trigg

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Artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States in 2009, interviewing more than two hundred artists in their studios. Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices.

The result is Studio Life, a fascinating photographic and written account of visits with one hundred of these artists, including William Wegman, Pat Steir, John Baldessari, Carol Bove, Rashid Johnson, Peter Halley, Fred Tomaselli, Tony Oursler, Jim Shaw, Michelle Grabner, Tauba Auerbach, Trenton Doyle Hancock, Dana Schutz, David Altmejd, and many others.

Trigg asks her subjects to share the stories behind significant objects and working habits, focusing on six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge—of one studio's mysterious sealed vault, another's resident bunny—and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to "Quit Feelin' Sorry for Yourself." In addition, a visual index provides an image and biographical information for each artist.

Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider's view of the artistic process, an alternative approach to understanding art, and a compendium of today's most compelling work.

Sales Rank: #342377 in Books
Brand: Books
Published on: 2013-09-17
Released on: 2013-09-17
Original language: English
Number of items: 1
Dimensions: 9.50" h x .75" w x 7.25" l, 1.72 pounds
Binding: Paperback
256 pages

Features

Used Book in Good Condition

Review
"Painter and photo editor Sarah Trigg takes you inside the studios of several artists and reveals what you can learn from exploring their workspaces and creative rituals." -- FastCoCreate

About the Author
Sarah Trigg is an artist, writer, photographer, and creator of the popular website The Goldminer Project. She lives and works in Brooklyn, NY.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Nothing else like it...
By loveliest girl ever
I love this book because frankly, there is really nothing else like it. It's part studio visit, part archeological dig, and part meditation on the hidden inspirations, magical objects and rituals that propel an artist's practice. The book is also a thoughtful memoir of the author's visits to the studios of extraordinary contemporary artists like Gary Panter, Jill Magid, Byron Kim, Aaron Curry, Kerry Tribe, David Altmejd, John Baldessari and many many others. The writing is intelligent, the stories are intimate and full of warmth and humor. STUDIO LIFE is a welcome reminder that behind every public work of art is a very private world.

7 of 8 people found the following review helpful.
A fascinating, beautiful book
By VG
The book opens the doors into spaces and lives one would rarely get to see. And once inside, it shows the particularities that make each artist's studio and practice unique. Patterns emerge, but what comes across is the studio as a reflection of the artist's mind. Every thing is lovingly photographed and back stories emerge. The conversations convey a sense of the intimacy of the studio visit with a fellow artist. The cumulative effect of the one hundred studio profiles is a portrait of contemporary studio life in America.

7 of 8 people found the following review helpful.
It's all about the process!
By M. Forth
Getting this book was a nice surprise--it offers a really interesting and alternate take on what makes artists tick in their studios. The book doesn't really show pretty, composed, overall studio shots, but if you want an insightful, down and dirty look at HOW artists work, get this book. Its much more documentary-style in its approach, really about process, and I loved pouring over the huge amount of images--many unexpected details and objects. Really appreciated the longer entries of William Wegman, Tony Oursler, Jim Shaw, and Gary Panter.

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Kamis, 02 Oktober 2014

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Ranging from the evolution of pathogenicity to oceanic carbon cycling, the many and varied roles that bacteriophages play in microbial ecology and evolution have�inspired increased interest within the scientific community. Bacteriophages: Methods and Protocols pulls together the vast body of knowledge and expertise from top international bacteriophage researchers to provide both classical and state-of-the-art molecular techniques. With its well-organized modular design, Volume 1: Isolation, Characterization, and Interactions examines a multitude of topics, including the isolation of phages, morphological and molecular characterization, and interaction with bacteria. Written in the highly successful Methods in Molecular Biology™ series format, chapters consist of brief introductions to the subject, lists of the necessary materials and reagents, readily reproducible laboratory protocols, and a Notes section which details tips on troubleshooting and avoiding known pitfalls.

Thorough and cutting-edge, Bacteriophages: Methods and Protocols is a valuable reference for experienced bacteriophage researchers as well as an easily accessible introduction for newcomers to the subject.

Sales Rank: #1955410 in Books
Brand: Brand: Humana Press
Published on: 2008-12-18
Original language: English
Number of items: 1
Dimensions: 10.75" h x 8.25" w x .75" l, 1.80 pounds
Binding: Hardcover
308 pages

Features

Used Book in Good Condition

Review

From the reviews:

"This book apart from the numerous texts recently published in the area of bacteriophage biology is the focus on the methodology used in this field. … This volume focuses largely on the classical protocols - as described by the editors … . This book should prove to be a valuable resource to even the experienced phage biologist and an essential reference book for postgraduate students and scientists new to the field of phage biology." (Sophie Foley, Microbiology Today, July, 2009)

From the Back Cover

Ranging from the evolution of pathogenicity to oceanic carbon cycling, the many and varied roles that bacteriophages play in microbial ecology and evolution have�inspired increased interest within the scientific community. Bacteriophages: Methods and Protocols pulls together the vast body of knowledge and expertise from top international bacteriophage researchers to provide both classical and state-of-the-art molecular techniques.� With its well-organized modular design, Volume 1: Isolation, Characterization, and Interactions examines a multitude of topics, including the isolation of phages, morphological and molecular characterization, and interaction with bacteria.� Written in the highly successful Methods in Molecular Biology™ series format, chapters consist of brief introductions to the subject, lists of the necessary materials and reagents, readily reproducible laboratory protocols, and a Notes section which details tips on troubleshooting and avoiding known pitfalls.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great methodology book
By Lockeyphage
Whether you're new to phage research or have been doing it for some time like myself (almost a decade), this book and it's accompanying volume 2 are a must for any phage researcher. It's full of easy to follow procedures with hints/notes that will help understand the purpose of some of the steps undertaken.
I would highly recommend this book: not only is it the new 'Adams' (phage bible) equivalent, but it's also affordable.

See all 1 customer reviews...

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