Minggu, 02 November 2014

[T620.Ebook] Free Ebook An Introduction to Policing, by John S. Dempsey, Linda S. Forst

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An Introduction to Policing, by John S. Dempsey, Linda S. Forst



An Introduction to Policing, by John S. Dempsey, Linda S. Forst

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An Introduction to Policing, by John S. Dempsey, Linda S. Forst

Get an exclusive insider's look at the roles, rewards, and stresses of policing and law enforcement! Now in its 5th edition, An Introduction to Policing has the same recipe for success as its previous editions: co-authors with extensive real-life experience in all ranks and assignments of policing, a solid blend of practical information and theory that covers who the police are, what they do, and how they do it, and an emphasis on current issues and topics. Unique to this edition is the expanded coverage of the very latest advances in technology, from mobile policing technology to video camera traffic enforcement and computer and digital forensics. The book has also been updated to cover campus law enforcement, law enforcement and illegal immigration, one-officer vs. two-officer patrol cars, and Reverse 911. Using extensively updated research and statistics throughout, this book is a "must read" for anyone considering a career in law enforcement.

  • Sales Rank: #210188 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2009-01-29
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 8.00" w x 9.80" l, 2.38 pounds
  • Binding: Paperback
  • 624 pages
Features
  • Used Book in Good Condition

About the Author
John S. Dempsey is Professor Emeritus of Criminal Justice at State University of New York (SUNY), Suffolk County Community College. He also teaches criminal justice and public administration courses at SUNY, Empire State College, where he serves as a mentor for ranking members of law enforcement and criminal justice agencies. Mr. Dempsey was a member of the New York City Police Department (NYPD) from 1964 until 1988, serving as a police officer, detective, sergeant, lieutenant and captain. He focused on both patrol and investigations. Mr. Dempsey received seven citations for meritorious and excellent police duty. After retiring from the NYPD, he served as Professor of Criminal Justice at Suffolk County Community College on Eastern Long Island, where he received the college's prestigious "Who Made a Difference Award" for his teaching and work with students. Mr. Dempsey lectures throughout the country on policing and criminal justice issues and is a member of the Academy of Criminal Justice Sciences (ACJS), the International Association of Chiefs of Police (IACP), ASIS International, the Northeastern Association of Criminal Justice Sciences (NEACJS), and the Criminal Justice Educators Association of New York State (CJEANYS). He has received the Outstanding Contributor Award from the ACJS Community College Section and the Fellows Award from the NEAJS. Mr. Dempsey has written several books on policing and security. He received his Associate of Arts Degree and his Bachelor of Arts Degree in Behavioral Science from the City University of New York, John Jay College of Criminal Justice, his Masters Degree in Criminal Justice from Long Island University and his Master's Degree in Public Administration from Harvard University, the John F. Kennedy School of Government.

Linda S. Forst is a professor of criminal justice at Shoreline Community College in Seattle, Washington, where she also serves on the Board of Law Enforcement Training Standards and Education for the State of Washington. Ms. Forst is a retired police captain from the Boca Raton (Florida) Police Services Department, where she served as a patrol officer, investigator, sergeant, lieutenant, and captain. She spent most of her career in patrol, but also worked in investigations, professional standards, training, hiring, and support services. Ms. Forst was the department's first female field training officer, sergeant, lieutenant, and captain. Ms. Forst has extensive training in accident investigation, domestic violence, sexual violence, community policing, and police management. She received numerous commendations during her career and earned numerous gold medals from the state and International Police Olympics. She also served on the board of directors for a local battered women's shelter for many years. An author of numerous magazine, journal, and newspaper publications, Ms. Forst regularly presents at conferences and to community groups. She has written several popular books on policing. Ms. Forst earned her Bachelor of Arts Degree in Criminal Justice, her Master's Degree in Community College Education, and her Doctorate Degree in Adult Education from Florida Atlantic University. She is a graduate of University of Louisville's Sex Crime Investigation School and Northwestern University's School of Police Staff and Command. Ms. Forst is a member of the Academy of Criminal Justice Sciences (ACJS), the Washington Association of Sheriffs and Police Chiefs (WASPC), and the International Association of Chiefs of Police (IACP) and has instructed for Northwestern's School of Police Staff and Command as well as Palm Beach Community College and Florida Atlantic University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Perfect textbook for college students.
By Edgar Tigranyan
One of my favorite introductory textbooks. I particularly like the fact that it is easy to read, and the amount of information you learn from this textbook is immense. It is a good textbook that gives basic knowledge about the criminal justice system. It is not about criminology, but rather how crimes occur and what methods are being used to mitigate crimes.

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great deal
By joanna bennett
great price! I saved about 70.00 buying this used book,perfect for my college course, I love saving money on books

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Favorite
By Deliah15
Im a criminal justice major in college now, and I am so pleased with this book. It breaks down what needs to be broken down in the cj field.

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Sabtu, 01 November 2014

[C563.Ebook] Download Ebook Nailed: Ten Christian Myths That Show Jesus Never Existed at All, by David Fitzgerald

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Nailed: Ten Christian Myths That Show Jesus Never Existed at All, by David Fitzgerald

Why would anyone think Jesus never existed? Isn't it perfectly reasonable to accept that he was a real first century figure? As it turns out, no. NAILED sheds light on ten beloved Christian myths, and, with evidence gathered from historians across the theological spectrum, shows how they point to a Jesus Christ created solely through allegorical alchemy of hope and imagination; a messiah transformed from a purely literary, theological construct into the familiar figure of Jesus - in short, a purely mythic Christ.

  • Sales Rank: #299637 in Books
  • Brand: Brand: Lulu.com
  • Published on: 2010-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.98" h x .56" w x 9.02" l, .81 pounds
  • Binding: Paperback
  • 248 pages
Features
  • Used Book in Good Condition

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350 of 373 people found the following review helpful.
A review I wrote last year for a blog, but wanted to post it here as well (long)
By Danielle Muscato
Link to original review: [...]

Hello all; Danielle Muscato here. In my post today, I will review David Fitzgerald's 2010 book Nailed. This book was voted one of the Top 5 Atheist/Agnostic Books of 2010 (Atheism.About.com's Readers' Choice Awards), and I think it the honor is well-deserved, as we'll see below.

I've heard about the mythicist case before, but admit that I was too skeptical to take it seriously. After reading this book, I realized I was, in fact, not being skeptical enough.

I didn't read this book the way I read most books. Right off the bat, I realized that, in order to fact-check properly, I would need to pull out my "big guns" - my 5-volume encyclopedia of the Bible, my copies of Tacitus, Suetonius, Seneca, et al (it helps that I'm minoring in Latin), my Greek NT, my Oxford Essential Guide to People & Places of the Bible (ed. Bruce Metzger), my Cities of the Biblical World (DeVries), and so on. I've studied many of the Latin source works Fitzgerald talks about before, and he's absolutely right that in most cases, these writers were either talking about Christians, not Jesus himself, or that the mentions of Jesus were interpolations (forgeries added into the text by later Christians); that there was definitely more than one Jewish guy named Yeshua walking around back then, and in many cases these writers were writing about other people with the same name; and finally, that literally all of the writers that Christian apologists prop up as credible witnesses were, in fact, born AFTER Jesus died - some decades, some a century or two more. There is a graphic on page 32 of the book, a timeline of alleged "eyewitnesses," that makes this abundantly clear, and as I mentioned to Dave over Facebook message, that graphic alone makes the book worth the price of admission.

The book has the following format: It explores 10 different reasons the Christians (or for that matter, any non-mythicist) offers for belief in a historical Jesus, in ten sequential chapters, followed by a thorough conclusion, appendix of apologist sources, and finally endnotes, the bibliography, acknowledgments, and an about-the-author. The 10 myths are:

Myth #1: "The idea that Jesus was a myth is ridiculous!"

Myth #2: "Jesus was wildly famous - but there was no reason for contemporary historians to notice him..."

Myth #3: "Ancient historian Josephus wrote about Jesus"

Myth #4: "Eyewitnesses wrote the Gospels"

Myth #5: "The Gospels give a consistent picture of Jesus"

Myth #6: "History confirms the Gospels"

Myth #7: "Archaeology confirms the Gospels"

Myth #8: "Paul and the Epistles corroborate the Gospels"

Myth #9: "Christianity began with Jesus and his apostles"

Myth #10: "Christianity was totally new and different miraculous overnight success that changed the world"

The book is 215 pages, not including the bibliography/endnotes, etc.

Myth #1 is, in theory, an easy one: It is a textbook logical fallacy, an argumentum ad ridiculum. Simply calling an idea ridiculous is not a logical refutation. You either have to demonstrate that the content of one or more of the premises of the argument contains factual errors, or that the conclusion doesn't follow from the premises - or both - in order to say that a conclusion is wrong.

Much of this information was not new to me. In fact, a lot of this book covers the same questions that led me to lose my faith in Christianity in the first place. In his dedication, Fitzgerald offers this book to "everyone who ever thought to themselves: `I wonder what Jesus was really like?'" This is a very important question to me personally, the very one that led me to my interest in classical Latin, and to read the Bible for the first time. Let's dig in.

My primary issue with this book is actually not one of its conclusion nor its scholarship. My real concern is that it's too short. By that I mean, I was not emotionally ready for the conclusion. I don't mean that Fitzgerald omitted anything important, nor did he fail to be thorough enough in his research, but simply that the idea that there was no historical Jesus is too foundation-shaking, too upsetting to my emotional brain (as opposed to my rational brain, I mean), that I was not ready for it within the time it took me to read the book the first time, and, at first, I rejected the conclusion on account of cognitive dissonance. Despite studying these things for years on my own and being well-aware of the accuracy of his research, I just refused to believe it. It took time for me let the very idea into my head as a possibility, and as a result, I have spent the last 3 days solid reading source material and fact-checking, including about 6 straight hours at Ellis Library looking up stuff in their absolutely breathtaking 7-volume Oxford Encyclopedia of Ancient Greece and Rome (as an aside, I really, really, really want my own copy of that, but it's $995 - ouch), because it just feels "wrong" to say that there was no historical Jesus. My skeptical mind kept saying, "But there has to be real evidence that Jesus existed." Then something hit me: I realized I was being illogical; I was skeptical of the wrong side of the argument: The burden of proof for the existence of Jesus rests, of course, with those making the positive claim. Instead of approaching this argument by saying to myself, "Show me the evidence that Jesus did not exist," I started thinking, "Show me the evidence that he did." This was extremely eye-opening for me, and thankfully, completely logical, which was somewhat of a comfort in my dissonance.

I am still not willing to say that I believe positively there was no historical Jesus, but I am willing to say this: In my opinion, the evidence for the existence of a historical Jesus is too unreliable, too contradictory, and too far removed chronologically to pass the "burden of proof" test. Consequently, I have removed Jesus from the "People I believe really existed, though I don't believe the supernatural claims in his biography" category to the "People for whom I consider the evidence for his existence to be inconclusive, and if he existed, I also don't believe the supernatural claims in his biography" category. Others in this category are, for example, Odysseus, Achilles, and Homer.

I think that if I did not have the background I do from school in the works of Roman writers, I would not have been as willing to let go of my belief that Jesus was definitely a real person. Because I already knew, for example, that Josephus' Testimonium was a forgery, that Mary as a literal virgin (virgo, virginis from Koine Greek '''''''') was a mistranslation of the Hebrew '''' (young woman/maiden) in Isaiah 7, etc, I was more ready to hear what Fitzgerald had to say. It seems that most people, Christians especially, simply assume there must be really good evidence for the existence of Jesus, even if they've never bothered to look into it personally. I have looked into it personally, and insofar as you're willing to take my word for it, I'm telling you, it's just not there. There are zero - ZERO - records from Jesus' lifetime mentioning him whatsoever, or even from 10 or 15 years after his lifetime. The period was extremely well-documented and much material survives to the present from the geography where these events are alleged to have taken place. Writers of the time, if the stories were true, would have had plenty to say about him, and would have had plenty of motivation to write about him. But they didn't write about him. Not a lick. Normally I would not agree that "absence of evidence is evidence of absence," but in this specific case, considering that dozens of prolific writers had abundant means, motive, and opportunity to write SOMETHING about the guy - if he were real - but didn't do so, tells us something. It also tells us something that we have many detailed writings of many other cult religions of the same era and geographic location, many about cult religions even smaller than Christianity was alleged to be at the time, but for some reason, we don't have anything about Jesus or his followers until much, much later. And the earliest writer we do have - Paul, writing in the 50s or so - says such wildly different things about him that he can scarcely be said to be talking about the same person. Where is the virgin birth, Herod's massacre, the flight to Egpyt, Jesus' baptism, the feeding of the multitudes, Mary Magdalene, raising Jarius' daughter from the dead, walking on water, raising Lazarus from the dead, the transfiguration, Jesus' "triumphant" entrance into Jerusalem, Jesus driving the money-changers out of the Temple, the Last Supper, the Mount of Olives/the betrayal from Judas Iscariot, Jesus' ordeal with Caiaphas, Jesus' trial before Pilate, the crown of thorns, carrying the cross, the earthquake the ripped the Temple curtain in half from top to bottom, the Jewish saints coming out of the graves and into the city, the lightning and darkening of the sky, etc? If these are real events and Paul was writing about Jesus very, very shortly after he lived, why doesn't Paul know anything about any of it? Maybe because the Gospel writers (who were, of course, not really Mark, Matthew, Luke, or John anyway) made it all up?

I feel so much like I feel when I first stopped believing in Christianity and became an atheist. When I was a Christian, I believed what pastors said about who Jesus was and what he taught. When I decided to read the Bible cover-to-cover for myself, I realized that much of what they were saying was incorrect, even just internally, using the Bible as a reference. But what really made me stop believing that Jesus was the Messiah was when I started learning about where the Gospels came from historically. The more I read, the more I looked into it, the more obvious it became that I should not trust them as historically-reliable sources. The 4 canonical gospels were not written by eyewitnesses (in the case of Luke, explicitly so) or even by people within the same generation as eyewitnesses , and no credible modern scholar believes that they were. At least 6 of the Pauline epistles are forgeries, etc. The truth is, the NT was written generations later, by educated, literate Christians (whom the apostles definitely were NOT), living in a community of Christians, who had never met Jesus, writing in a totally different language, and from a different geographic area. They are simply not reliable as primary source documents when it comes to verbatim quotations, and they so disagree with each other in details of the chronology, locations, details of events, and other content that there is just no way they were written by people who were really there - and that's the parts that WEREN'T simply ripped off from one another. This part, I knew already, though Fitzgerald puts it best, when talking about extrabiblical writers on page 62:

It is sobering to realize that in all of recorded history, for the first century the closest we have to historical support for the Gospels' picture of Christ are an outright forgery [Josephus' Testimonium], and a single disputed line that in all likelihood refers to someone else entirely... they are quite literally all there is [emphasis in original] to historically support the Bible's account of Jesus in the first century. Yet how can this be? Jesus was supposed to have been bigger than the Beatles, single-handedly capturing the attention of all Judea and Galilee, and as far afield as Syria and the Decapolis. The gospels claim his teachings enraptured multitudes and outraged the establishment... if nothing else his (allegedly) controversial, (allegedly) new teachings alone should have left an impact in the historical record.

I think the truth about Myths 4 & 5 are common knowledge among educated atheists; in my own case they are part of what led me to atheism. I did learn a lot from the chapters on Myths 6 and 7, and simply reading the NT yourself will show you that Myth 8 is patently untrue, although Fitzgerald does a superb job of laying the case out in plain English.

I loved Fitzgerald's contrast of Pontius Pilate (that's Pwn-TEA-oose [as in "loose"] Pee-LA-tte [like latte, the Italian word for milk, with stress on the "LA"], by the way - if I hear one more person say "Pawn-tea-us Pilot," I'm going to shake someone!) as portrayed in the Gospels - "an incredible pantywaist... a dithering nancyboy" - as opposed to the real Pontius Pilate, who was an "arrogant, ruthless despot" who committed "acts of corruption, insults, rapine, outrages on the people, arrogance, repeated murders of innocent victims, and constant and most galling savagery" (Legatio ad Gaium 301). The whole idea of the trial with Pilate, and especially the bit about freeing Barabbas, is laughably historically implausible, for reasons Fitzgerald thoroughly explains. I am less familiar with the archaeological arguments than I am with the literary ones, but after fact-checking these things for myself, I can tell you that Fitzgerald's scholarship is trustworthy. Also, on page 115, he includes a photograph of the P52 fragment, which was familiar to me - I used the same photo (from the John Rylands University Library) for a talk I gave called "Is The New Testament Historically Reliable?" about a month ago, and I discussed the significance of this fragment - namely, that even though it dates to the 2nd century, it's the oldest piece of any part of the New Testament that we've ever found. I do disagree with Fitzgerald's dating to circa 150 or in all probability later; he does mention that you can only date within a ~75-year window, but the Hadrianic script, in my humble opinion, would put it closer to the more-commonly accepted date (among Christian apologists, at least) of circa 125, although I admit that dating via script style is very imprecise. In any case, this is (at minimum) still about a century after Jesus is alleged to have died, so you can hardly call it significant as eyewitness testimony, not to mention the fact that content-wise, it's a bit lacking (that's an inside joke for those of you who saw my talk ). As Michael Shermer points out in the opening lines of his prologue to The Science of Good & Evil, "Scientific debates are not settled by consensus opinion." It doesn't really matter what most scholars believe (especially if most of these scholars have a different agenda; namely, they are Christian apologists); what matters is what the evidence shows, and the evidence here is lacking. I'm willing to say that I don't know when P52 was written, but it definitely wasn't even within a generation of the lifetime of Jesus! As Fitzgerald points out, the real question here anyway is not the age or consistency of these documents, but whether the content is true or not. As he points out, we have the first printings of the Book of Mormon, too, but so what? They are historically unreliable for other excellent reasons, and we disregard them on that basis.

The chapter on Myth 9, I think, makes clear some excellent arguments, especially with his discussion of the astrological elements of the Jesus story, the connection to the 12 "zodiacal accomplices" and the sun-god associations in the very beginning of the 3rd century. Fitzgerald's analysis of the Kenotic Hymn (Philippians) is SPOT ON (see Isaiah 45). Some of this is probably familiar to you if you've seen the movie The God Who Wasn't There, but I like it better in book form, because in The God Who Wasn't There, this stuff is just scrolled by on the screen, and you don't really get a chance to let it soak in, or really have it thoroughly explained to you - and this is really foundational stuff.

I don't want to give away everything in this review, but the chapter on Myth 10, that Christianity was a totally new & different miraculous overnight success that changed the world, seals the deal. For the first several centuries of its existence, Christianity (which one?) was one (or rather, hundreds) among thousands of cult religions at the time, and it borrowed details about the "Life & Times of Jesus" quite freely from existing mythos. If you know your ancient history, you already know the "similarities" between the savior figures in other religions and the Jesus story, e.g. born to a virgin on December 25, stars appearing at his birth, a visit from astrologers from the East, turning water into wine, healing the sick/casting out demons, transfiguring, riding a donkey into the city (by the way, this is perhaps my favorite Gospel error, the laughable scene in Matthew [who is usually pretty good about correcting Mark's ignorance] where the author totally misunderstands the Hebrew OT poetic device of synonymous parallelism, the restating of a line using a synonym, in Zechariah 9:9 [see Ehrman 2010 p.50] and has Jesus straddling a colt AND a donkey at the same time - maybe he just had really long legs??), being betrayed for 30 pieces of silver, a final symbolic meal with bread & wine representing his body & blood, being crucified, descending into hell and rising again on the 3rd day, ascending into heaven to sit beside his father and become a divine judge, are ALL elements stolen from preexisting cult followings of the time, e.g. Osirus, Mithras, Horus, Bacchus, Zoroaster, Krishna, Thor, Adonis, Orpheus, Bacchus, Hermes, Dionysis, Hercules, et al.

Fitzgerald's discussion of the Nag Hammadi manuscripts does a good job of explaining how the growth of Christianity was, in fact, nothing at all like Luke portrayed it. The discussion of Pliny the Younger's letters to Trajan (note: link is in Latin, continues to 10.96.2) with notes by Carrier is excellent. A lot of the things mentioned here, about how Christianity was able to rise in popularity due to its appeal to the poor, uneducated, and disenfranchised, sinks in much more deeply if you've read Gibbon and David Thompson's The Idea of Rome (which is, unfortunately, out of print and rather hard to find, but I have a copy if anybody is interested in looking at it; just let me know). I have to take a moment here to say that the fall of Rome must have been so utterly foundation-shaking to residents of the ancient world that even as an atheist, I don't blame them for turning to the promises of Christianity to give them hope. Imagine that you found out Washington DC, New York, Chicago, Denver, Boston, San Francisco, Los Angeles, Seattle, Houston, Phoenix, Las Vegas, Dallas, Philadelphia, Kansas City, and St Louis were all annihilated by atomic bombs on what just happened to be the same day that your parents died in a car accident, you found out you had cancer, AND your significant other left you. That's probably about what it felt like when Rome fell. I don't think I would personally convert, but I would be empathetic to those who did. Has nothing at all to do with whether Jesus actually rose from the dead or not, though.

I do have one thing to say about this book: It seems to me that its purpose is to get you started. Fitzgerald (although there is definitely a measure of new scholarship) is giving us a clear, concise, and jarring peek into the main arguments for the mythicist case. As I mentioned above, if I had not already spent so much time with Roman writers, and with the history of the Gospels, I would have said, "Yeah, right" and set this book aside. But because I was "primed," because I already knew from my own reading & research that everything he mentions which I was already familiar with is, in fact, true, I was able to let the idea sink in, and realize that his data do, in fact, agree with what I already know... and with the data from my fact-checking, see that, I'll be damned, there really isn't good, conclusive evidence that Jesus existed - or for that matter, even weak evidence that he did.

After careful consideration, I have come to the "conclusion" that the evidence for Jesus is inconclusive. As I mentioned during the opening statement of my debate with Brother Jed two weeks ago, one can say there are two broad categories when it comes to truth statements: True, and not true. Under the "not true" category, you have contradictory, paradoxical, false, and inconclusive. After reading Fitzgerald's book and thoroughly checking on these things for myself, I can say that it is my position that the idea of a historical Jesus fits wholly into the "inconclusive" sub-category. I don't know if a historical Jesus existed or not, but it seems unlikely, given everything that I've found to corroborate what Fitzgerald writes. As he puts it in the conclusion, if there was a historical Jesus, we would have on our hands a paradox (which is still in the "not true" category, by the way). It is my position that anyone making the case that there was a historical Jesus has a lot of explaining to do. As a skeptic, I would never say that it's impossible, but the probability, in my mind, has tipped in favor of there not being one. There were possibly several people named Jesus whom history conflated (in fact there's pretty good evidence of this), but I can't say for sure, or even with reasonable certainty, that the commonly-known Jesus of Nazareth was any more of a real, single, human individual than Achilles, as I mentioned above.

Never thought I'd hear myself say that!

If you have ever asked yourself, "I wonder what the real Jesus was like?"... do yourself a favor, and buy the book.

95 of 99 people found the following review helpful.
Hammering a Dose of Reality
By Book Shark
Nailed: The Ten Christian Myths That Show Jesus Never Existed At All by David Fitzgerald

"Nailed: The Ten Christian Myths That Show Jesus Never Existed At All" is an interesting book that covers ten Christian myths regarding Jesus. Each chapter covers a myth. David Fitzgerald provides some food for thought and compelling arguments that support the position that Jesus Christ was invented driven by hope and imagination. He completes his thesis with how different things would be if there had been a historical Jesus. Writer and historical researcher, David Fitzgerald's admirable research leads to a brief reference-quality book regarding the historicity of Jesus Christ. This 248-page book is composed of the following ten chapters: 1. The idea that Jesus was a myth is ridiculous!, 2. Jesus was wildly famous - but..., 3. Ancient historian Josephus wrote about Jesus, 4. Eyewitnesses wrote the Gospels, 5. The Gospels give a consistent picture of Jesus, 6. History conforms the Gospels, 7. Archeology conforms the Gospels, 8. Paul and the Epistles corroborate the Gospels, 9. Christianity began with Jesus and his apostles, and 10. Christianity was totally new and different.

Positives:
1. A well written, well researched book.
2. An accessible book for the masses.
3. A fascinating look at the historicity of Jesus Christ. Thought-provoking theories with sound arguments in defense.
4. Good quotes interspersed throughout book.
5. Tackles ten Christian myths regarding Jesus Christ head on.
6. Provides further reading material at the end of each chapter.
7. Gospel events that should have made history but surprisingly didn't. Quite eye opening.
8. Very helpful timeline and diagram of supposed eyewitnesses to Jesus. Great stuff!
9. A look at the forgeries and how we can reasonably conclude there were in fact forgeries.
10. A thorough look at ancient historian Josephus.
11. When were the Gospels written? And who wrote them? Very helpful look at the differences between the Gospels' authors.
12. Many interesting insights and takes. Take for example, the section of "Pilate Light" is very strong and compelling. Also the section of "Inexplicable Acts" is really convincing.
13. Does a really good job of describing Paul's role in Christianity. The section of "Who is Paul's Jesus?" is quite revealing and provides an excellent summary.
14. The early history of Christianity. A war going on in the early church.
15. The growth of Christianity, how it occurred.
16. Constantine's role in perspective. Some myths debunked.
17. An interesting section on how differently would thinks have looked if Jesus had been real. Some examples.
18. A solid Appendix: Apologist Sources.
19. Endnotes and Bibliography provided.

Negatives:
1. Links did not work for the Kindle.
2. The section on Archaeology would have been strengthened had the author included or referenced, "The Bible Unearthed" by Israel Finkelstein and Neil Asher Silberman. An excellent book that would have only strengthened the author's arguments.
3. The format of the book could have been better. Low production value for a book of this caliber.
4. Despite the fact that the author does provide some endnotes, books of this ilk are open to scrutiny so needed to be footnoted extensively instead of casually.
5. This topic can be a little dry, Fitzgerald tries to liven it up a little but usually keeps it straight.

Overall, I learned a lot from this book. These kinds of books are hard to review because of the nature of the topic and difficulty for a layperson like myself to verify how factual the book is. Be that as it may, I found the arguments to be sound and convincing. There are two new books that are out that address this issue and offer opposing views that I have yet to read but will add to my further suggestions section. I give this book four stars overall, I have to take a point away for low production value and because it can be a little dry at times. I commend the author for the excellent research, these kinds of books are daunting to write and Fitzgerald deserves praise for a job well done. If you are interested in the topic, by all means get it!

Further suggestions: "Proving History: Bayes's Theorem and the Quest for the Historical Jesus" by Richard Carrier, "Did Jesus Exist?: The Historical Argument for Jesus of Nazareth" and "Forged: Writing in the Name of God--Why the Bible's Authors Are Not Who We Think They Are" by Bart D. Erhman, "Why I Became an Atheist: A Former Preacher Rejects Christianity" and "The Christian Delusion: Why Faith Fails" by John Loftus, "Man Made God: A Collection of Essays" by Barbara G. Walker, "The Invention of the Jewish People" by Shlomo Sand, "The Portable Atheist: Essential Readings for the Nonbeliever" by Christopher Hitchens, "Godless: How an Evangelical Preacher Became One of America's Leading Atheists" by Dan Barker, and "The Invention of God: The Natural Origins of Mythology and Religion" by Bill Lauritzen.

0 of 0 people found the following review helpful.
I makes a great case.
By Lee B.
Well written and thought out. I makes a great case.

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Jumat, 24 Oktober 2014

[T191.Ebook] Free Ebook Project Management for Dummies [Second 2nd Edition], by Stanley E. Portny

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Project Management for Dummies [Second 2nd Edition], by Stanley E. Portny

  • Published on: 2007
  • Binding: Paperback

Most helpful customer reviews

4 of 4 people found the following review helpful.
Project Management For Dummies is for smart people who work in groups to accomplish common goals.
By Bobby Mitchell
I took many Project Management classes in the course of earning my baccalaureate degree. I have been working in the high tech IT field for over 20 years and 15 years ago, I could handle most of a company's IT needs by myself. This simply isn't true anymore. There are too many variables in play and subject matter experts like Security Specialists, Web Developers, and Network Infrastructure experts like me all have to work together in cross-functional teams to continue to provide for the needs of the businesses we support. IT is now direct customer assistance or project work. This has proven to be true time and time again. In search of increasing my value, I am pursuing PMP Certification through PMI.org. Reading through the PMBOK (Project Management Body of Knowledge) can get confusing at times. The "For Dummies" books are for smart people who really want to understand the material. Project Management for Dummies provides the examples and insights that help me commit the concepts to my memory.

1 of 1 people found the following review helpful.
I'm going to use this book for one of my ...
By drgreg48
I'm going to use this book for one of my required text books for the software project management course I teach.

0 of 1 people found the following review helpful.
Four Stars
By Dennis McCoy
Easy shopping, rapid delivery, better than expected

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Jumat, 17 Oktober 2014

[F685.Ebook] Ebook Free A New Pair of Glasses, by Chuck "C" (Chamberlain)

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A New Pair of Glasses, by Chuck

  • Sales Rank: #14285 in Books
  • Published on: 2008
  • Binding: Paperback
  • 201 pages

Most helpful customer reviews

58 of 59 people found the following review helpful.
Nothing better than this
By A Customer
Chuck C. was one of the early leaders of AA in Southern California. He was one of the few people who came to AA fully surrendered to the will of God and then never took it back. Some of the things you will learn in this book will seriously change your life - most especially in your relations in the business world. There are spiritual truths here that transcend any of the more common and bland twelve step guides available. What is amazing is that it was not really planned as a book at all - it's a transcription of a series of talks Chuck made at a men's retreat. For that reason, it isn't highly polished or edited. Sincerely recommended for all who want to take their spiritual growth to the next level.

30 of 31 people found the following review helpful.
as spiritually compelling as any experience written.
By A Customer
a compelling report and guide of a step-oriented spiritual life, by a man with world-wide influence during his lifetime upon those living a spiritual, and life-saving, existance. Far more potent than some supportive literature in various 12-step and other therapeutic supportive fields. Tens of thousands have achieved sobriety and some serenity as a result of this man's personal, direct, and indirect (the book) efforts. IT IS NOW BEING PUBLISHED AGAIN ON THE WEST COAST.

0 of 0 people found the following review helpful.
Great book that's been around awhile
By Amazon Customer
Great book that's been around awhile. Very easy to read, full of good humor and lots of good thoughts. Recommend highly for everyone struggling with alcohol addiction, and possibly other addictions as well.

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Selasa, 14 Oktober 2014

[S904.Ebook] Ebook On CreativityFrom Viking

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On CreativityFrom Viking

The concept of genius has been a subject of much speculation and debate since the eighteenth century. However, in a world obsessed with creative genius and the possibilities of the human imagination, the actual workings of the creative process and its psychological underpinnings remain a mystery. In On Creativity, a group of
experts seeks to unlock this enigma.

  • Sales Rank: #3175100 in eBooks
  • Published on: 2015-02-06
  • Released on: 2015-02-06
  • Format: Kindle eBook

About the Author
Sudhir Kakar is an Indian lay psychoanalyst and he is known for his books in the fields of cultural psychology and religion.

Gunter Blamberger is a German academic and writer. He works at the University of Cologne as a Professor of Modern German Literature

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0 of 0 people found the following review helpful.
On Genius and the Workings of the Creative Process
By Raghu Nathan
Nowadays, there is much discussion in the public domain on the concept of genius, on Creativity and on Innovation. We see people like Steve Jobs, Elon Musk, Jeff Bezos and many others being labelled as 'creative' or 'genius-like' or 'innovative'. At the same time, we do not see much elaboration on the precise reasons for marking these individuals out for such special mention except by reiterating the products and ideas for which they are responsible and how much their thinking diverges from the mainstream. What we don't find is a substantive discussion on what this 'Creative Process' really is and how it actually works and what its psychological foundations are. It is this quest which brought me to read this book.

I have always enjoyed reading Sudhir Kakar's insights into cultural psychology, mysticism and psychoanalysis. When I saw that he was one of the authors of this book, I wanted to see what his insight into the subject is. However, it turned out that this book is a collection of six essays on Creativity from six different authors, with Kakar contributing just one, on the Indian perspective of the creative artist. Three articles dwell on the cross-cultural views on Creativity, one each on the Indian, Western and the Chinese. Two others are in the inter-disciplinary perspective from Psychoanalysis and Neuroscience. The final article by James Kaufman looks at Creativity through a generalist approach. Overall, we come across many definitions on what is creative and some approaches to understanding the creative process itself.

The Western perspective is dealt with by co-author G�nter Blamberger who suggests that the West has always set wrong priorities by focusing on the personal origin of Creativity , leading to hopeless aporias and myths. The West has a tradition of seeing Creativity as a triad of divine inspiration, mastery of the rules of the domain and scholarly knowledge. Blamberger proposes that we must bid farewell to this concept of 'Genius' and move away from singular creatorship and towards viewing Creativity as an Experience and as a Process. Today's creative practices are mostly processes based on division of labor within collectives and Creativity itself must be viewed as an inter-disciplinary and cross-cultural question.

Sudhir Kakar presents the Indian perspective on artistic creativity based on the classical treatise on the Performing Arts, namely 'Natya Shastra', written around 200 BCE, and on the modern works of renowned art historian, Ananda Coomaraswamy (1877-1947). In the Indian view of the creative artist, he is not a flawed being or prone to melancholia or madness. Rather, to be truly creative, it was necessary for individual personality traits and complexes to be transcended. Coomaraswamy formulates it as '..the Indian artist, though a person, is not a personality'. Creative Imagination is an inborn faculty due to impressions of past births that is so strong in the artist that it responds to the slightest stimuli which are usually ignored by others. Kakar wonders as to how many contemporary Indian artists share this view of the artist as emotionally balanced and artistic creativity as a matter of connecting with the transcendent, spiritual unconscious.

The Chinese perspective of Creativity is outlined by Weihua Niu simply as the very nature of everlasting interaction between the creator and the context, as something evolutionary rather than revolutionary. The focus of Creativity in the Confucian outlook is on novelty and appropriateness, where appropriateness is understood as fitting according to the changing context in a collaborative manner, given a specific situation. On the other hand, the Taoist view of Creativity is to make a connection between oneself and nature, possibly by immersing oneself through meditation.

In the inter-disciplinary discussion, I liked the essay by Margaret Boden on 'Creativity as Neuroscientific Mystery'. Boden says that there are three types of creativity, namely Combinational, Exploratory and Transformational. They are explained as follows:
Combinational Creativity is the generation of unfamiliar combinations of familiar ideas. A scientific example would be viewing the Atom through the Solar system model.
Exploratory Creativity is to use existing rules to generate novel structures. Examples would be to write a new Computer program using a known programming language or writing a new essay in English or creating a new painting in a known style such as Impressionist.
Transformational Creativity is the most exciting of all in that it breaks culturally sanctioned rules within a domain and leads to the creation of a novel idea which seems 'Impossible'. One can think of many examples in Science and in the Arts like Literature and Music.
Boden says that these three forms of Creativity involve different types of psychological processes and that Combinational Creativity is within reach of Neuroscience today. As for Exploratory and Transformational, she says that the human brain is a Connectionist system and we need to understand much better than we do today as to how 'connectionism' can emulate a von Neumann machine before coming to a Neuroscientific view of these two types of Creativity.
Most of us can probably feel good about having experienced some aspect of Exploratory Creativity in our lives and some might have indulged in Combinational as well.

As I came to the last essay in the book, the creative process still remained largely an enigma. Still, the essays provoke our mind and induces us to explore further.

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Kamis, 09 Oktober 2014

[J558.Ebook] Get Free Ebook Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process, by Sarah Trigg

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Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process, by Sarah Trigg

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Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process, by Sarah Trigg

Artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States in 2009, interviewing more than two hundred artists in their studios. Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices.

The result is Studio Life, a fascinating photographic and written account of visits with one hundred of these artists, including William Wegman, Pat Steir, John Baldessari, Carol Bove, Rashid Johnson, Peter Halley, Fred Tomaselli, Tony Oursler, Jim Shaw, Michelle Grabner, Tauba Auerbach, Trenton Doyle Hancock, Dana Schutz, David Altmejd, and many others.

Trigg asks her subjects to share the stories behind significant objects and working habits, focusing on six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge—of one studio's mysterious sealed vault, another's resident bunny—and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to "Quit Feelin' Sorry for Yourself." In addition, a visual index provides an image and biographical information for each artist.

Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider's view of the artistic process, an alternative approach to understanding art, and a compendium of today's most compelling work.

  • Sales Rank: #342377 in Books
  • Brand: Books
  • Published on: 2013-09-17
  • Released on: 2013-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .75" w x 7.25" l, 1.72 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
"Painter and photo editor Sarah Trigg takes you inside the studios of several artists and reveals what you can learn from exploring their workspaces and creative rituals." -- FastCoCreate

About the Author
Sarah Trigg is an artist, writer, photographer, and creator of the popular website The Goldminer Project. She lives and works in Brooklyn, NY.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Nothing else like it...
By loveliest girl ever
I love this book because frankly, there is really nothing else like it. It's part studio visit, part archeological dig, and part meditation on the hidden inspirations, magical objects and rituals that propel an artist's practice. The book is also a thoughtful memoir of the author's visits to the studios of extraordinary contemporary artists like Gary Panter, Jill Magid, Byron Kim, Aaron Curry, Kerry Tribe, David Altmejd, John Baldessari and many many others. The writing is intelligent, the stories are intimate and full of warmth and humor. STUDIO LIFE is a welcome reminder that behind every public work of art is a very private world.

7 of 8 people found the following review helpful.
A fascinating, beautiful book
By VG
The book opens the doors into spaces and lives one would rarely get to see. And once inside, it shows the particularities that make each artist's studio and practice unique. Patterns emerge, but what comes across is the studio as a reflection of the artist's mind. Every thing is lovingly photographed and back stories emerge. The conversations convey a sense of the intimacy of the studio visit with a fellow artist. The cumulative effect of the one hundred studio profiles is a portrait of contemporary studio life in America.

7 of 8 people found the following review helpful.
It's all about the process!
By M. Forth
Getting this book was a nice surprise--it offers a really interesting and alternate take on what makes artists tick in their studios. The book doesn't really show pretty, composed, overall studio shots, but if you want an insightful, down and dirty look at HOW artists work, get this book. Its much more documentary-style in its approach, really about process, and I loved pouring over the huge amount of images--many unexpected details and objects. Really appreciated the longer entries of William Wegman, Tony Oursler, Jim Shaw, and Gary Panter.

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Kamis, 02 Oktober 2014

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Bacteriophages: Methods and Protocols, Volume 1: Isolation, Characterization, and Interactions (Methods in Molecular Biology)From Brand:

Ranging from the evolution of pathogenicity to oceanic carbon cycling, the many and varied roles that bacteriophages play in microbial ecology and evolution have�inspired increased interest within the scientific community. Bacteriophages: Methods and Protocols pulls together the vast body of knowledge and expertise from top international bacteriophage researchers to provide both classical and state-of-the-art molecular techniques. With its well-organized modular design, Volume 1: Isolation, Characterization, and Interactions examines a multitude of topics, including the isolation of phages, morphological and molecular characterization, and interaction with bacteria. Written in the highly successful Methods in Molecular Biology™ series format, chapters consist of brief introductions to the subject, lists of the necessary materials and reagents, readily reproducible laboratory protocols, and a Notes section which details tips on troubleshooting and avoiding known pitfalls.

Thorough and cutting-edge, Bacteriophages: Methods and Protocols is a valuable reference for experienced bacteriophage researchers as well as an easily accessible introduction for newcomers to the subject.

  • Sales Rank: #1955410 in Books
  • Brand: Brand: Humana Press
  • Published on: 2008-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x .75" l, 1.80 pounds
  • Binding: Hardcover
  • 308 pages
Features
  • Used Book in Good Condition

Review

From the reviews:

"This book apart from the numerous texts recently published in the area of bacteriophage biology is the focus on the methodology used in this field. … This volume focuses largely on the classical protocols - as described by the editors … . This book should prove to be a valuable resource to even the experienced phage biologist and an essential reference book for postgraduate students and scientists new to the field of phage biology." (Sophie Foley, Microbiology Today, July, 2009)

From the Back Cover

Ranging from the evolution of pathogenicity to oceanic carbon cycling, the many and varied roles that bacteriophages play in microbial ecology and evolution have�inspired increased interest within the scientific community. Bacteriophages: Methods and Protocols pulls together the vast body of knowledge and expertise from top international bacteriophage researchers to provide both classical and state-of-the-art molecular techniques.� With its well-organized modular design, Volume 1: Isolation, Characterization, and Interactions examines a multitude of topics, including the isolation of phages, morphological and molecular characterization, and interaction with bacteria.� Written in the highly successful Methods in Molecular Biology™ series format, chapters consist of brief introductions to the subject, lists of the necessary materials and reagents, readily reproducible laboratory protocols, and a Notes section which details tips on troubleshooting and avoiding known pitfalls.

Thorough and cutting-edge, Bacteriophages: Methods and Protocols is a valuable reference for experienced bacteriophage researchers as well as an easily accessible introduction for newcomers to the subject.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great methodology book
By Lockeyphage
Whether you're new to phage research or have been doing it for some time like myself (almost a decade), this book and it's accompanying volume 2 are a must for any phage researcher. It's full of easy to follow procedures with hints/notes that will help understand the purpose of some of the steps undertaken.
I would highly recommend this book: not only is it the new 'Adams' (phage bible) equivalent, but it's also affordable.

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